Whereas open-source crusaders and techno-libertarians are applauding Common Audio’s current efforts to maneuver away from its “walled backyard” strategy to plug-ins, the reality is that a lot of the good ones nonetheless require the presence of an interface or a processor core to load up and run in your DAW of selection. As we talked about within the write-up of the Apollo Twin, above: “good” is an enormous understatement when describing UAD’s hottest plug-ins.
Its digital re-creations of optical combine bus compressors, legendary reverbs, and heat, vibey tape machines are unmatched by some other prosumer-level producer, and the truth that its {hardware} powers the CPU-hungry algorithms that apply the magical high-end sheen to your combine makes the dear leap into the UA universe effectively price it.
Direct monitoring on the 4 included XLR unison preamps is crystal clear, almost latency-free, and loaded with clear headroom for something you plug into it. A wide selection of inputs like a pair of ADAT I/Os and eight line-level 1/4″ jacks can deal with classes of all sizes, and the UA Console app makes routing, monitoring, and plug-in administration a breeze. In case you go to a significant studio, that is the commonest interface you will see, typically with a number of stacked collectively for much more channels, which you are able to do with a single cable between units. —Pete Cottell
| Specs | |
|---|---|
| Connectivity | Thunderbolt 3 |
| Microphone Inputs | 4 |
| Instrument Inputs | 2 |
| Headphone Outputs | 2 |
| Analog Audio Outputs | 8 |
| MIDI In/Out? | N/A |
| ADAT In/Out? | Sure (2) |
